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Original Title: City of Glass / Ghosts / The Locked Room
ISBN: 0143039830 (ISBN13: 9780143039839)
Edition Language: English URL https://www.penguinrandomhouse.com/books/298818/the-new-york-trilogy-by-paul-auster/9780143039839/
Series: New York Trilogy #1-3
Characters: Peter Stillman, Daniel Quinn, Blue, Black
Setting: Manhattan, New York City, New York(United States) New York City, New York(United States)
Download The New York Trilogy (New York Trilogy #1-3) Free Books Full Version
The New York Trilogy (New York Trilogy #1-3) Paperback | Pages: 308 pages
Rating: 3.89 | 55917 Users | 3121 Reviews

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Title:The New York Trilogy (New York Trilogy #1-3)
Author:Paul Auster
Book Format:Paperback
Book Edition:Penguin Classics Deluxe Edition
Pages:Pages: 308 pages
Published:March 28th 2006 by Penguin Classics (first published 1987)
Categories:Fiction. Mystery. Literature. American. Contemporary. Novels

Rendition To Books The New York Trilogy (New York Trilogy #1-3)

The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1: A Novel

The New York Review of Books has called Paul Auster’s work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.

This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

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Ratings: 3.89 From 55917 Users | 3121 Reviews

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I have encountered a great many reviews that start with "I don't know how to begin this review". By this claim the reviewer expresses doubt, but the expression of these doubts is the immediate solution to the reviewer's predicament, making both the doubts and the claim kind of moot. I was thinking of starting off this review the same way, given that this book leaves you wondering about everything, but thinking about that as an option makes it also dishonest, because I would know where to start

Our lives carry us along in ways we cannot control, and almost nothing stays with us. It dies when we do, and death is something that happens to us every day. Qué gran libro. Mi primero de Auster y sin dudas no será el último. En ocasiones un poco pesado, en muchas otras se estanca, pero es innegable que esta obra es brillante. Personajes excelsamente desarrollados, vívidas descripciones y tramas desbordantes de locura y mentes extraviadas buscando un hogar.Con una prosa soberbia, este autor me

رواية مجنونة مثل شخص يلعب معك لعبة باستثناء أن اللعبة هي كابوس. لم أقرأ شيئًا كهذا منذ زمنٍ طويل..

I'm surprised by some of the low and middling ratings this book and its three stories (City of Glass, Ghosts, The Locked Room) have received. Some characterise the stories as boring, derivative, simplistic, pretentious, or pointless. But for me, this is exactly the kind of book I love to stumble upon: one that surprises, and that seeks new and unconventional paths to expression. To me the writing suggests Calvino, Kafka, Borges, perhaps even Beckett and Sartre, without being derivative. This is

Life is too short to re-read a book, but someday I will give time for this one. The reason is that I assumed that the book being a trilogy is composed of 3 totally unrelated stories since I read in the write up that the stories were published one at a time in a weekly magazine in the 80s. However, to my surprise, at the end of the 3rd story The Locked Room (which by itself was the best among the 3) it was revealed that the detective looking for Fanshawe was the main character in the first

Na filmovima se često dešava da vispreni zlikovac, pošto ispuca sve kvarnjačke trikove, namami heroja u nekakvu sobu sa ogledalima, kako bi ga ošamutio sopstvenom (herojevom) sposobnošću zapažanja i napokon ga sebi skinuo s vrata. Tako se protagonista nađe u sasvim neprirodnom haosu: pošto je vizualno bombardovan svojim iskrivljenim odrazima, mora da prebaci oslonac na auditivna opažanja, te osluškuje tišinu, zaustavlja disanje, pažljivo hoda kroz srču, sve vreme kalkulišući koliko mu još

I can't believe I read this all the way through, but I just kept thinking that at some point, something has to happen. I was disappointed. The writing is mechanical and boring. It's like being told a story by someone barely interested what they are saying. There is no experience to it, no stake in the characters, and like I said, nothing of note really happens. When Auster makes an attempt to wrap up the disjointed and feeble plot lines after two and three-quarter books of emptiness and abrupt

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