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Title:Teaching a Stone to Talk: Expeditions and Encounters
Author:Annie Dillard
Book Format:Paperback
Book Edition:Perennial Library
Pages:Pages: 177 pages
Published:1988 by Harper & Row, Publishers (first published October 13th 1982)
Categories:Writing. Essays. Nonfiction. Environment. Nature. Autobiography. Memoir. Philosophy. Spirituality
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Teaching a Stone to Talk: Expeditions and Encounters Paperback | Pages: 177 pages
Rating: 4.2 | 4637 Users | 401 Reviews

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Every time I read Annie Dillard I become more responsible. In general. Her words are purposeful, she addresses sorrow, beauty and terror with nouns and adjectives that, if you aren't careful, look like every other noun and adjective you have ever read. But this isn't so. There is not a wasted syllable. Read about the Deer at Provenance, a story about a young fawn tied to a tree, resigning to the despair of its own death, and the people that circle around, quietly, and watch. And then read how she balances words like 'slender' with 'violence'. Ah! And then Expedition to the Pole! Never has absurdity and wisdom come together so well in American essay than here. The images and thoughts on church, human folly, polar bears and the unknown spin like a fever dream and burn like postmodern prophecy. Woo!

Describe Books Concering Teaching a Stone to Talk: Expeditions and Encounters

Original Title: Teaching a Stone to Talk: Expeditions and Encounters
ISBN: 0060915412 (ISBN13: 9780060915414)
Edition Language: English

Rating Regarding Books Teaching a Stone to Talk: Expeditions and Encounters
Ratings: 4.2 From 4637 Users | 401 Reviews

Piece Regarding Books Teaching a Stone to Talk: Expeditions and Encounters
The book is uneven. More often than not, I dont know what is being said or why. Words and sentences are presented with little or no meaning. Stories jump around and I miss their line. And yet, theres always enough to keep me going. When Dillard encountered a weasel unexpectedly, she writes that our eyes locked, and someone threw away the key. Its face was fierce, small and pointed as a lizards; he would have made a good arrowhead, she observes. Reflecting on its life, she says that The weasel

This is a book of essays: some reflective, mostly descriptive. Sometimes I was reading and thinking, "What the hell is she talking about?" But, it's worth it to keep reading because there are phrases and paragraphs that are just golden:From "Total Eclipse": "The mindthe culturehas two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel."From "An Expedition to the Pole": "It all seems a pit at first, for I have overcome a fiercely anti-Catholic upbringing in order to

Found this one somewhere. In the past I have found AD to be a bit of a trial. The Maytrees was unreadable but her memoir wasn't too bad. The BIG problem for me is her intensely twee/poetic prose. This book is a collection of shorter pieces. I read the first one last night and it was ... OK. I'll be reading one at a time."Chapter " 2("An Expedition to the Pole") Meanders for many pages between the author's experiences as a spiritual seeker in a local Catholic church(definitely NOT a cathedral)

from AN EXPEDITION TO THE POLE:God does not demand that we give up our personal dignity, that we throw in our lot with random people, that we lose ourselves and turn from all that is not him. God needs nothing, asks nothing, and demands nothing, like the stars. It is a life with God which demands these things.Experiences has taught the race that if knowledge of God is the end, then these habits of life are not the means but the condition in which the means operates. You do not have to do these

Annie Dillard is one of the most satisfying essayists I know. Although I am not, generally, a reader of nature studies, Dillard's essays seem just perfect to me. If I had a single criticism, it would be that she generally ties in a theme or moral to her story to the extent that it would almost seems forced , but the language is so beautifully descriptive and the resolutions so elegant, that I am willing to forgive her for it.In "Total Eclipse" she manages to describe the experience of witnessing

Simply one of the best essay collections I can ever remember reading. Annie is warm and funny, but also thoughtful and quirky, and so much of the time you're never entirely sure where the essay is going to arrive. This uncertain quality is a nice feature of any essay, to my mind; I love essays that still keep Montaigne's sense of the word "essai" as "an attempt." That said, each of these pieces, long and short, is impeccably crafted, and loaded with memorable side-paths and stunning turns of

Reading Dillard is like watching a figure skater. You don't really understand or appreciate what you've just experienced until you try to walk across an icy sidewalk.

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