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Original Title: Il disprezzo
ISBN: 1590171225 (ISBN13: 9781590171226)
Edition Language: English URL https://www.nyrb.com/collections/tim-parks/products/contempt?variant=1094929409
Characters: Ricarrdo Molteni, Emilia Molteni
Setting: Rome(Italy) Capri(Italy)
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Contempt Paperback | Pages: 251 pages
Rating: 3.91 | 3364 Users | 333 Reviews

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Title:Contempt
Author:Alberto Moravia
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 251 pages
Published:July 31st 2004 by NYRB Classics (first published 1954)
Categories:Fiction. European Literature. Italian Literature. Cultural. Italy

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Contempt is a brilliant and unsettling work by one of the revolutionary masters of modern European literature. All the qualities for which Alberto Moravia is justly famous—his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard’s no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.

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Ratings: 3.91 From 3364 Users | 333 Reviews

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What first causes a relationship to unravel? Is the initial step down the path of separation as simple as a misplaced gesture? A thoughtless word? A careless deed or failed action? These are the questions that Alberto Moravia seeks to answer in the sublime "Contempt", a close-up at the dissolution of a marriage and a journey back to try and learn how things got that way."Contempt" is a superior entry in the canon of post-WWII European literature and was itself adapted by Jean-Luc Godard into one

Love is contemptuous. To avoid feeling contempt, one must not love. But then one feels contempt from not loving. Therefore, to love means treat with contempt. to not being loved is contemptuously contemptible.To have feeling contempt is contemptuous. For to not being contempt we must love but love changes to contempt. Contempt makes one not being in love but we need love and we feel contempt or contempt from too much love.

Do you need some good reading on marriage counseling and you generally wish to understand relationships better? Please read Alberto Moravia, especially this amazing work of his, Contempt. Oh be careful of a man who is not listening to his wife, nor does he know how to read her body language, hes heaping contempt on his head.Reading this novel, I often felt in the presence of a literary genius like Shakespeare filtered through the eyes of great psychologists like Freud, no less. I have come to

This novel could be compared to a long monologue of the narrator who tries to explain the circumstances that brought his wife to break up with him.Molteni always wanted to write scripts for drama and ended up a movie scriptwriter just to please his wife and her material needs. But just at the moment when everything seems to turn right for him, she announces him that she doesn't love him anymore. Worse than that she despises him and refuses to tell him why. The mental torture begins.Throughtout

This book was agonizingly good. Read it if you want to witness (and perhaps relive) the rather rapid disintegration of a long-term relationship, step by torturous step. Each niggling doubt, each pang of hurt and betrayal, each willful choice to ignore one's intuition and instead select a creative interpretation of the incontrovertible facts. How does love turn into contempt? After the fact, it is usually too difficult (as well as painful and potentially self-incriminating) to let ourselves

Im not even sure the author gets what is going on in this narrative. Ive seen the movie and then read the book. The movies distance really captures what is going on, the comment on consumer society: as merely because you own something doesnt mean youll ever possess it, let alone understand it.That being: Beauty. Thats what in this book everyone is trying to possess and understand. The woman possesses beauty but doesnt own it. The writer understands it but doesnt own or possess it. And the

This is my third Moravia and damn if he hasn't become one of my favorites now!This is the anti-Homeric tale of the anti-Ulysses. The backdrop is a writer who takes on the dubious task of writing a script adaptation of Ulysses. Told in the first person by this screenwriter who clearly sees himself as an intellectual (referencing not only Homer but Dante and Joyce as well - woo hoo!) and sees himself as a man with integrity (no sea monsters in his script!) and yet he has a complete and utter lack

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