Identify Books In Pursuance Of Wittgenstein's Mistress
| Original Title: | Wittgenstein's Mistress |
| ISBN: | 1564782115 (ISBN13: 9781564782113) |
| Edition Language: | English |
David Markson
Paperback | Pages: 279 pages Rating: 3.98 | 5035 Users | 611 Reviews
Representaion As Books Wittgenstein's Mistress
Wittgenstein's Mistress is a novel unlike anything David Markson - or anyone else - has ever written before. It is the story of a woman who is convinced, and, astonishingly, will ultimately convince the reader as well, that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state, so too will her drama become one of the few certifiably original fictions of our time.
Details Epithetical Books Wittgenstein's Mistress
| Title | : | Wittgenstein's Mistress |
| Author | : | David Markson |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 279 pages |
| Published | : | May 1st 1988 by Dalkey Archive Press |
| Categories | : | Fiction. Philosophy. Novels. Literature |
Rating Epithetical Books Wittgenstein's Mistress
Ratings: 3.98 From 5035 Users | 611 ReviewsWeigh Up Epithetical Books Wittgenstein's Mistress
Naturally what follows is a review of Wittgenstein's Mistress. Not his actual mistress, mind you (with whom I've never had the pleasure), but merely the book named after her.One's language is frequently imprecise in that manner, I have discovered.First, a few facts about the reviewer: 1) Has never read DFW's essay on WM, or anything else by Markson. 2) Is passingly familiar with about 66% of the writers, artists, and composers mentioned throughout, as well as their major works. 3) HasAnd of course I was quite out of my mind for a certain period too, back then.I do not know for how long a period, but for a certain period.Time out of mind. Which is a phrase I suspect I may have never properly understood, now that I happen to use it.Time out of mind meaning mad, or time out of mind meaning simply forgotten?Although influences are rather apparent Molloy by Samuel Beckett and The Recognitions by William Gaddis David Markson is quite on his own here and Wittgensteins Mistress is
I'm having a quarrel with DFW. He loves this book, and I do not. It hurts me that we disagree. But I read the book, read Wallace's argument (this essay) and the flaws that he points out (and forgives) I can't get past. Here is his defense, which I summarize:-this is one of those novels which cry out for critical interpretation and directs it, like a waltz does in music. -a cross between fiction, and a weird cerebral roman à clef. -he was attracted to the book because of the title, noting it
Is Wittgensteins Mistress For Me?The following survey is designed to predict your strength of connection to this very distinctive book. Choose the responses that apply best to you and tally the associated points. Then compare your total with the ranges below to see the course of action recommended especially for you.1. If offered, Id choose the stack of pages by a) Danielle Steel, Jackie Collins, and Nora Roberts (1 pt.), b) Lee Child, James Patterson, and Vince Flynn (2 pts.), c) Carson
My last review before this was about a novel with only one paragraph.This time, it is about a novel with no paragraph.Or maybe with many paragraphs.I guess it depends on what a paragraph is.When is a sentence just a sentence, and when does it become a paragraph?Here, the paragraphs are composed of just one sentence each.Sometimes not even a sentence.Just phrases each ending with a period.So if they're not paragraphs then this novel has no paragraphs.Just sentences standing separately from each
Holy crap. Blimey, that is one hell of an impressive piece of writing. I have no idea how he pulled it off - how do I end up having a powerful, concerned, empathic connection with the narrator, when she can only truly be seen out of the corner of your eyes. How does one invent such a structure? looping like a slinky slightly stretched and laid horizontal on the floor...Thank you to all my new goodreads friends whose plundered shelves gave this to me.
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